It's unsettling - like THQ and Kaos are trying to promote their fiction to prediction -but when you've got talent like John Milius, writer of Apocalypse Now and Red Dawn, writing your story, it behooves you to take it a little seriously.

Or, to paraphrase former CIA agent Tae Kim, they're taking the events of Homefront and explaining how they're going to have happened. In making the game believable, Kaos and THQ have dedicated a surprising majority of their first look presentation to discussing the probability of their fictitious future. It starts with real events of 2009, making the whole process feel more reasonable than it is, and ended with an invasion of the USA in 2025. We've witnessed, in a boldly animated series of captions, exactly how the land of Big Apple Pies and John Waters will fall to the brutal ideology of North Korea. Not a conceptual one, but no flop either.Until This Point, Homefront has been nothing more than a stylised movie of a time line. All in all, a good and proper-time (1,5 hours) thriller. It is nice to see that Statham as an action hero has followed in the footsteps of e.g.

True, 'the bad guys' are too plain, the ending has predictable structure and elements, and there are scenes not necessary for the general course of events, but absence of dudikoffs-seagals and torpid chases and fights is already a valuable feature. Homefront has evidently more pluses than minuses - pleasant performances by 'the good guys' - Jason Statham as a caring but tough father Phil Broker and Izabela Vidovic as sensitive but tough Maddy, realistic atmosphere, catchy fights, meaningful use of violence. As it is difficult to add a new angle or approach, it is usually acting and solution of issues that counts, are they logical, or just ridiculous and unrealistic. Single ex-agent with a child, settling down in a new closed place where a self-claimed boss has set his own rules - there are (and definitely will be) lots of similar stories, about past, present and future.

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